We’ve compiled a list of frequently asked questions for your convenience below. If you would like to connect with a member of our literary staff, please reach out via email to litoffice@theoneill.org. Please note, the literary office may be remote for the application and selection process—so email is strongly preferred.

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When will next season’s NPC application dates be announced?  

 

2026 NPC Submission Window is September 2 -18, 2025! The exact dates of the NPC application window is announced in August each year and will generally fall in September.

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Why is the NPC application window a week earlier this season? 

 

This year’s slightly earlier application window is a direct response to our consistent rise in NPC application numbers over the last several years. In the past, we typically received 1,200 applications each year. Now, we’re receiving 1,500 or more. Given the increased number of script submissions and our small staff size, we need more time to thoughtfully and carefully review every piece in its entirety. Please know the application window, although earlier, remains the same length it has been for the last five years. 

 

Can you tell me more about the selection process?

 

The National Playwrights Conference accepts scripts from playwrights of all stripes and remains committed to an open, blind submission and selection process. We receive approximately 1000+ submissions annually. Of the initial submission pool, about 20-25% will be moved forward to the Semifinalist round of consideration. Roughly 20% of the NPC Semifinalists — or, 5% of total submissions — proceed to the Finalist round each year. From this pool of approximately 75 to 100 Finalists, a select number of plays are selected for development in the National Playwrights Conference. 

 

Who will read my play?

 

Every play shared with NPC is guaranteed at least one full read by a member of our corps of script readers. Directors and dramaturgs, actors and designers, critics and educators, 100+ theater makers familiar with the O’Neill developmental process will read each submission in its entirety. Every script is considered with care and appreciation, undergoing a rigorous evaluation process in which form, content, and developmental goals are considered. The O’Neill literary office carefully manages this process. Submissions that move to the Semifinalist round of consideration are also reviewed by the Artistic Council, composed of a select group of theater professionals including playwrights, directors, administrators, dramaturgs, and the O’Neill artistic staff.

 

When can I expect to hear back from you?

 

The O’Neill Literary Office will send every applicant a status notification email on a rolling basis between early March and late May. Please know that we endeavor to respond to all inquiries and applications in a timely fashion. You can expect any communication about the status of your application to arrive via email directly from the O’Neill literary office.

 

Can you tell me more about the residency at the O’Neill?

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​In addition to a week-long workshop, the National Playwrights Conference is delighted to offer participating writers a multi-week summer residency at the O’Neill’s ninety-acre seaside property. This includes full room and board in dormitory-style accommodations, as well as a stipend. Multiple O’Neill programs run concurrently each summer (NPC, NMTC, NCI, NTI…), and we welcome writers to use this time in community however they see fit. 

 

For instance, many playwrights continue to reflect and revise their play, while others begin new projects, and still others use this time to recharge. Playwrights in residence are welcome to attend the rehearsals, readings, and presentations of their peers' work, as well as their own: we’ve found that one of the most valuable elements of an O’Neill summer is its strong community of fellow writers, artists, and theater-makers, which endures long after the summer conferences have drawn to a close.

 

Of course, we understand that you might need to attend family events and business trips—and we’ll note that Mondays are our weekly off-day. Still, the expectation for participating playwrights is that the majority of their time during the National Playwrights Conference will be spent in residence with the O’Neill community.

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My submission is listed as “Accepted” or "Complete" on Submittable. What does that mean?

 

When your NPC application is listed as “Accepted” or "Complete" on Submittable, it means that your application has been successfully submitted and accepted for review by the O’Neill literary office. If your script is accepted for development in our upcoming summer Conference, you will hear from us directly via email no later than May 2026.

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What is the Covid Policy?

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The O'Neill values the health and safety of all our artists, participants, staff, and volunteers. All will be required to submit a negative COVID-19 PCR or rapid antigen test to the Company Manager within 24 hours before their arrival on campus. Those who do not submit their test prior to arrival will be given rapid antigen tested on-site for a fee of $25.00 per test.  If you have any questions or concerns, please contact our Company Management team at companymanager@theoneill.org.

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Do you accept work from international writers?

Yes. NPC gladly accepts—and has developed—work by playwrights from around the globe. We’ll note that the script submitted must be accessible to English-speaking readers. To participate in the National Playwrights Conference, international writers must have the right to work in the United States. Unfortunately, our small staff size precludes the O’Neill from assisting with visa applications; however, previous applicants have found the resources on the U.S. Department of State's website useful.

 

When you say that submissions must not have had a “professional production” prior to July 31, 2025, what exactly do you mean? (Or, “I had a developmental opportunity with X, Y, Z, qualities. Is my piece still eligible?”)

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Your play must not have had a professional production, or be licensed or optioned to have a professional production, prior to July 31, 2026. For our purposes, a “professional production” means that all artists were appropriately compensated and design elements were in place. A few notes:

 

• If your play had a reading, staged reading, or workshop—or if scripts were still in your actors’ hands at the time of the performance—we do not consider that a “professional production.” However, you are required to share the play’s full development history on your NPC application, which includes any previous readings, staged readings, or workshops. 

• If your play was produced by a college or university theater, we do not consider that a “professional production.”

• If your play was fully produced, but the artists were not compensated, we do not consider that a “professional production.”

• If your play was produced, but the production lacked significant and necessary theatrical elements—a Zoom reading, stage lighting, projections, or puppets, for instance—we do not consider that a “professional production.”

 

If your play receives a workshop, reading, staged reading, or is optioned for a professional production after you submit your application, please inform the literary office via email at litoffice@theoneill.org as soon as possible. Failure to disclose additional development could affect your application’s standing.

 

I don’t consider it a “musical,” but my play has music in it. Should I submit it to the National Playwrights Conference or the National Music Theater Conference?

 

Our rule of thumb is: If developing the musical world of the play is your primary developmental goal, it's likely a better fit for the National Music Theater Conference. Conversely, if your focus is on revising the text of your script, then the National Playwrights Conference would be a more appropriate developmental home for it — in no small part because the National Playwrights Conference is unable to provide robust musical support for participating projects. To learn more about the National Music Theater Conference and its application process, please visit the NMTC webpage here.

 

Can I submit more than one play?

 

No and yes. When we say that “Only one play may be submitted by a single writer each year,” we’re referring to the single writer as a unique writing team. You may only submit one play. However, You and Writing Partner A would comprise an additional unique writing team — and would therefore be eligible to submit an additional play. Similarly, You and Writing Partner B would comprise another unique writing team, and would also be welcome to submit an additional work.

 

What kind of play is the O’Neill looking for? Or: "I have one play that has A, B, and C qualities, and another play that has X, Y, and Z qualities. Which should I submit?"

The National Playwrights Conference proudly supports all styles and genres of theater, including one-acts and solo pieces. We encourage you not to worry about the kind of play you imagine the O’Neill wants to develop, and instead consider which of your plays would benefit most from the resources the O’Neill provides.

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So you accept one-person plays and solo shows?

 

Yes. We welcome one-person plays and consider them fully.

 

How about one-act plays?

 

Yes. We’ll note that plays submitted to NPC should be approximately 60 minutes in length, and  designed to be the main event of an evening. (We do not develop ten-minute plays .) While we do not have a minimum or maximum page-count requirement, we find that scripts that range in length from 60-to-160 pages are the most successful.

 

Do you have a minimum or maximum page requirement?

 

No. We have no formal requirements regarding the maximum or minimum page length for submissions—but, we are happy to share that successful scripts typically range in length from approximately 60 to 160 pages.

 

Do you accept resubmissions or revised drafts?

 

Yes. Though we would prefer to spend time with your latest work, we do accept scripts that have been previously submitted to the National Playwrights Conference. We do ask, however, that the work has been significantly revised — which tends to mean that substantial changes to the story and its telling have been made since it was last shared with us.

 

Do you accept adaptations and translations?

 

Yes. We accept adaptations and translations, provided that the rights to any material not in the public domain are granted in writing and that a copy of this permission is provided. The NPC application will prompt you to upload proof of permission directly.

 

Does my play need to be formatted in any specific way?

 

No. We recognize that plays come in all kinds of different shapes and sizes — and that scripts do, too. We only require that your name and contact information (and agent information, if applicable) is removed from the script, that you include a character breakdown with both age and gender, and that you include page numbers.

 

Why is there a cast-size limit now? 

 

This year, we are only able to accept plays that require a cast of 10 or fewer actors. This is a new requirement and was created in the spirit of full transparency around the work we will have the resources to support in the 2026 NPC summer season. This limitation reflects the current constraints we are navigating across the organization as well as limited housing availability on the O’Neill campus. Plays that require 11 or more actors will not be accepted or considered. Across the board, we find that submissions with a total cast size of 6 or fewer actors are the most successful at NPC. 

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My play has more than 10 characters, but requires 10 or fewer actors. (For example, a play that has 18 characters, but only requires a cast size of 4.) How do I indicate that on the application form? 

 

That’s great! There will be a dedicated space on the NPC application form for you to clarify any notes on your play’s casting requirements. This includes notes about doubling schemes (when one actor plays more than one role), as in the example above. Double casting is always welcome.

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What should the character breakdown in my script PDF look like?

 

We ask that your breakdown in your script PDF include each character’s name, any doubling schemes should they occur, and any traits that you deem necessary for casting. These traits include but are not limited to: age, gender, ethnicity, sexuality, disability, etc. Beyond that, any information or notes that you wish to share about your cast of characters is welcome, but not necessary.

 

Can I include an author’s note in my script?

 

Yes, as long as it remains anonymous. Please only include information that you believe is crucial to the reader’s understanding of your play.

 

What do you mean by “Developmental Goals”?

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This is an opportunity for you to share how the specific resources provided by the National Playwrights Conference can help advance your draft. The O’Neill provides selected playwrights with a director, dramaturg, and access to a professional equity cast. In addition to your dedicated rehearsal week and reading, you’ll have access to housing, writing spaces, and library resources on the O’Neill’s campus. This is your opportunity to let us know how these resources can best serve your process and this particular play. For instance, do you hope to examine a specific character arc with the help of a dramaturg? Are you curious about how the ending of your play lands on an audience? What part of the play or dramaturgical question can professional actors help you excavate? These goals are shared with our readers and help them understand how you speak about your work and process as a writer.

 

It should be about a page in length, but shorter is fine, too. There are no formatting requirements for this section (save for the length as mentioned above), so you are welcome to provide a list, paragraphs, a visual element, a chart, etc.

 

​Bear in mind that this is an opportunity to engage with your readers about the material that they have just read, so there’s no need to include a blow-by-blow account of the plot or worry about spoilers. Please do not list any identifying information such as previous workshop locations or previous collaborators in this space.

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What do you mean by “Residency Goals”? 

 

In addition to their developmental workshop period, all playwrights selected for NPC will be invited to a multi-week summer residency at the O’Neill campus in Waterford, CT.  Multiple O’Neill programs run concurrently each summer, and dormitory-style accommodations are provided for all. The NPC application will ask what you hope to gain from being in community with other O’Neill artists and NPC playwrights—and what you hope to contribute as a member of this community—in 250 words or fewer. 

 

This is an opportunity to briefly share what excites you about the prospect of being in community with other theater makers, and let us know how you hope to spend that time. For instance, are you looking forward to connecting with other playwrights? Are you hoping to spend time ideating a new play? Or perhaps revisiting or reimagining another project with fresh eyes? This is the space to let us know.

 

Should my biographical statement be anonymous?

 

No. Please include your name and any other pertinent identifying information in your biographical statement: this document is for internal use only, and will not be shared with our reading team. Your biographical statement should give us a sense of your path in playwriting or theater-making more broadly—like you might see in a playbill.

 

How do I make a PDF?

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We are only able to accept scripts in PDF format. Fortunately, the vast majority of word processors—including Microsoft Word, Final Draft, GoogleDocs, and Pages—will allow you to convert your document to a PDF by clicking on the tab, “Save as PDF.” Once you have done so, simply upload the new PDF of your script as directed on our online application form.

 

How do I pay the application fee?

 

You will be guided through the payment process step-by-step as you finalize your online application. The application allows you to use both debit and credit cards. If you run into any issues regarding the acceptance of your payment, please contact support@submittable.com.

 

Can I expect feedback on my submission?

 

Unfortunately, our small staff size and the sheer number of applications we receive precludes us from giving individual feedback on script submissions.

 

Where else should I submit my play?

 

Though the O’Neill does not maintain a directory of script submission opportunities nationwide, we are happy to recommend those of the New Play Exchange, the Dramatists Guild Resource Directory, the Playwrights' Center, and the Play Submissions Helper.

 

If you have any other questions, please reach out to the O'Neill literary office via email at litoffice@theoneill.org.