national directors fellowship

Wendy C. Goldberg, Director

A joint initiative, NDF fast-tracks the professional experience of emerging stage directors and propels the advancement of new plays.

 

The 2020 O'Neill Summer Season, including the National Directors Fellowship will be held online. Learn more here

Funding for the National Directors Fellowship provided by Doris Duke Charitable Foundation

Key funding provided by: The Shubert FoundationThomas Kail, and Jerry Meyer

Additional funding by: Jujamcyn Theaters, Daryl Roth, and Wayne Zink & Christopher Schout.

And support from: David Auburn, Jennifer Melin Miller & David Miller, Paradigm Talent Agency, Frank & Cynthia Goldberg, Jeffrey Meanza, and Molly Smith

2019 Fellows

Maria Patrice Amon

Maria Patrice Amon is a southern California based director, dramaturg, producer, and scholar. Directing: Fade (Moxie Theatre), The Madres (Moxie Theatre) Lydia (Brown Bag Theatre Company). Assistant Directing: Sweat (San Diego Rep), Cardboard Piano (Diversionary Theatre), Roz and Ray (San Diego Rep). Dramaturg: Manifest Destinitis (San Diego Rep), Beachtown (San Diego Rep). Patrice is Latinx Producer in Residence at San Diego Repertory Theatre. JD: California Western School of Law. PhD: UC Irvine. www.mariapatriceamon.com

Will Detlefsen

Will Detlefsen is a Bay Area-born New York-based freelance director and co-artistic director of a queer theater company called The Q Collective. Select directing credits include: The Funfair by Simon Stephens (Cal Rep) Machinalia by Steph Del Rosso (JACK & Ubuntu Theatre Project), Larvae by Kelsey Torstveit (Alchemical), Blasted by Sarah Kane (Duo Theatre), Strange Men by Will Snider, Go. Please. Go. by Emily Feldman, Lear by Young Jean Lee, and Vieux Carré by Tennessee Williams (UC San Diego). In December, Will is directing the world premiere of The Straights by T. Adamson at JACK's new space. Assisting credits include: Trip Cullman, Chay Yew, Tyne Rafaeli, Tony Taccone, Des McAnuff, Alex Timbers and Rachel Chavkin. 2013 Drama League Fellow, 2017-2018 Manhattan Theatre Club Directing Fellow, 2018-2019 Playwrights Horizons Directing Fellow. SDC Associate. BFA: NYU Tisch. MFA in Directing: UC San Diego.

Addie Gorlin

Addie Gorlin hails from Minneapolis and is a director, producer, and educator invested in the regional theater movement and theater for all-ages. Recent: Next to Normal (Brown University), Good Person of Szechwan, Eurydice, Twelfth Night, and Streetcar Named Desire (Brown/ Trinity Rep), Charm and According to Coyote (Mixed Blood Theatre), Laramie Project (Children’s Theatre Company T.A.T.), I and You (Phoenix Theater and Children’s Hospital of Minnesota), and Five Tries (Cutting Ball Theatre). Addie has developed new work at The Playwrights Center, The Lark, Mixed Blood, Hudson Stage Company, Riverside Theater, Ivoryton Playhouse and has served as assistant director at The Guthrie, The Public, Trinity Rep, and A.R.T. among others. Fellowships include Artistic Management and Directing at Cutting Ball Theater and the National New Play Network (NNPN) Producer-in-Residence at Mixed Blood. Addie holds a K-12 English and Drama teaching credential obtained via Teach for America. B.A. Dartmouth College. M.F.A. Brown University/ Trinity Rep 2019. www.addiegorlin.com

Sarah Hughes

Sarah Hughes is a director and producer of theater and new media. Her work embraces limitation, values accidental discoveries, and is deeply collaborative. She uses humor, physicality, and unexpected choices in casting, staging, language and tone to create medium-specific, inclusive, shared experiences that aim at truth rather than at the effect of reality. Sarah has collaborated as a director on new plays, performance art pieces, devised works, and immersive shows with Eliza Bent, Julia May Jonas / Nellie Tinder, MJ Kaufman, McFeely Sam Goodman / Limited Liability Theater Company, Chana Porter, Deepali Gupta, Julia Izumi, Eli Nixon, Pablo Helguera, Corinne Donly, Cara Scarmack, Alaina Ferris, Superhero Clubhouse, and more. As a producer she’s developed new live performances with Sibyl Kempson, the Office for Creative Research, MoMA, and Half Straddle, and with Graham Sack, Geoff Sobelle and Sensorium she’s created Augmented & Virtual Reality experiences for Tribeca Film Festival, New York Theatre Workshop, The New York Times, and Penguin Random House. Sarah's directing work has been seen at Abrons Arts Center, BAM Next Wave, The Bushwick Starr, JACK, Japan Society, Caveat, LPAC’s Rough Draft Festival, Columbia University, Vox Theater, The Brick, The Tank, Prelude, and CATCH, among others. Sarah worked for many years with Elevator Repair Service, assistant directing Gatz, The Select, Arguendo, Shuffle, and Fondly, Collette Richland off-Broadway and on tour, and with Target Margin Theater as Co-Artistic Producer. She is the recently-appointed Director of Artistic Programming at Theatre Row and teaches at Dartmouth College and NYU. An alum of the Clubbed Thumb Directing Fellowship and The Civilians’ R&D Lab, Sarah has been awarded a New Georges Audrey Residency, a Drama League Directing Residency, a Target Margin Artist Residency, and is a member of the New Georges Jam and the 2018-2020 WP Theater Directors Lab. www.sarahcameronhughes.com

Rebecca Wear

Previous credits include Samsara by Lauren Yee (Coeurage Theatre); If the Saints by Eric Conner Marlin (Metro Baptist); Obedient Steel by Chloe Brown (HERE arts); and I Run with You by Anna/Kate (Women’s Center Stage). She associate directed the world premiere of Lynn Nottage’s Sweat (Oregon Shakespeare Festival, Arena Stage) and assisted Kate Whoriskey, Lindsay Allbaugh, and Diane Rodriguez. Rebecca is a resident director with HERO Theatre, previous associate artist at The Orchard Project, and is pursuing a PhD through a Chancellor’s Fellowship at University of California, Santa Barbara.

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2018 Fellows

Arpita Mukherjee

Artistic Director of Congressional Award-winning Hypokrit Theatre Company. Monsoon Wedding The Musical (Book Writer); Eh Dah? Questions for My Father at New York Theatre Workshop (Director). READINGS: The Cow Swallowed its Tail at Rattlestick Playwrights Theater (Director), The Art of Gaman by Dipika Guha (Director). Queen at Ma-Yi Theater Company (Director), Appeasing Radhika at Baruch College (Director), An Evening of Indian Classics at Theater for the New City (Director), Romeo and Juliet at the Access Theater (Director), My First Time – D.C. premiere (Director), How to Succeed as an Ethnically Ambiguous Actor  Off-Broadway (Co-Writer/Creative Producer). Awards: Best Book at New York Musical Festival, Nominated for Best Director at Planet Connections Theatre Festivity, Congressional Award for Diversity in the Arts - Hypokrit Theatre Company. Arpita will be part of the 2018 Lincoln Center Directors Lab.

Tatiana Pandiani

Tatiana Pandiani is an Argentine born, NYC-based director and choreographer. Selected: Field, Awakening (Ford Studio at Signature Theatre), Azul, Otra Vez (BRIC), Eurydice & The Last Days of Judas Iscariot (Atlantic Stage 2), Le Negrophilie (Kampala Theater Festival, Uganda), Appropriate & Assassins (Princeton Summer Theatre), NANAS (IATI), La Lupe (SEA), NORA (Lanesboro Arts), 1989 (Connelly). Upcoming: International Tour of La Negrophilie by Zakiya Markland to the Ubumuntu Arts Festival in Rwanda and the Frank Collymore Hall in Barbados. Tatiana is a Teaching Artist at the Atlantic Theatre Co., a NYTW 2050 Directing Fellow, and the Artistic Associate at Miami New Drama. MFA: Columbia. www.tatianapandiani.com

Mei Ann Teo

An Asian American and Singaporean theatre/film maker who works at the intersection of artistic, civic, contemplative practice to shift culture towards justice and compassion. As a director, devisor, dramaturg she creates across genres, including music theater, intermedial participatory work, reimagining classics, and documentary theater. Profiled in American Theatre's "Workers to Watch"  Teo’s work has toured Belgium's Festival de Liege, Edinburgh Fringe, M1 Singapore Fringe, Beijing Int. Festival, & Shanghai Experimental Theatre Festival. Directed/developed new work at OSF, the Goodman, the Public, BRT (Ground Floor), and was the first Asian American to direct at the National Black Theatre. Hampshire College Asst. Professor of Directing & Dramaturgy. MFA in Theatre Directing from Columbia University.