national playwrights conference

Wendy C. Goldberg, Artistic Director

The O’Neill’s founding program presents eight new works this summer season by a broad mix of brand new, mid-career, and established artists. The plays were chosen from 1,429 plays received through the O’Neill’s open submissions process. Each new play undergoes the O’Neill’s signature development process and is presented in staged readings featuring award-winning casts and creative teams. 

july 5 at 8:15pm   •

about the new play


A writer and a prison inmate embark on an unexpected journey to the realities of long term incarceration and grief, as they work together to craft a statement for his upcoming parole hearing. Lockdown was commissioned by Rattlestick Playwrights Theater through the Toulmin Foundation, and inspired by Cori Thomas’ experiences getting to know and working alongside a number of men currently serving life sentences at San Quentin State Prison.




about the writer


Cori Thomas’ plays include: Lockdown; When January Feels Like Summer; LIBERIAN LEGACY TRILOGY: Pa’s Hat, Flight 109, In The Beginning; Citizens Market; The Ballad of Ella May; My Secret Language of Wishes; The Princess, The Breast, and The Lizard; The Unusual Love Life of Bedbugs and Other Creatures; The Hair Play; Waking Up; His Daddy; our lives, our fortunes, and our sacred honor. Developed and produced: Sundance Institute, City Theatre Company (Pittsburgh), Goodman Theater, Page 73 Productions, Playwrights Horizons, Lark Play Development Center, Ensemble Studio Theatre, GTTR, Pillsbury House Theatre, Mixed Blood Theatre, Mosaic Theatre Co, Central Square Theatre, Penumbra Theatre, Passage Theatre, Working Theater, Playwrights Realm, New Federal Theatre, New Georges, New Black Fest. Commissions: Rattlestick Playwright’s Theatre, South Coast Rep, Sloan Foundation, Pillsbury House Theatre, Central Square Theatre, Ensemble Studio Theatre, New Black Fest, The Slavery Project, The Working Theater. New Dramatists Resident, Fellow at Sundance, MacDowell, Bogliasco Foundation, and Baryshnikov Center Fellow. Playwrigh-in-Residence at Yale through Page 73 Productions. Awards and Honors: Inaugural Italian American Playwrights Project pick ( When January feels Like Summer) will be translated into Italian and published. American Theater Critics Association 2011 Osborn Award— When January Feels Like Summer; Edgerton Foundation New Play Award; 2016 Horton Foote Playwriting Prize Finalist; 2 time Theodore Ward Prize Winner. When January Feels Like Summer—Dramatic Publishing Company. Upcoming: World Premiere 2019 Lockdown at Rattlestick Playwrights Theater Co; Writer - Audible Original Content Series “The Walls”; “untitled” feature Film for HBO Films. Cori is a founder of the non-profit organization www.pashatfoundation.org which does work with former male child soldiers in Liberia, West Africa. She is represented by Leah Hamos at The Gersh Agency lhamos@gersh.com.




cast & creative team


Director: Kent Gash Dramaturg: Ignacia Delgado Scenic Design: Lawrence Moten Lighting Design: Raquel Davis Cast: John Earl Jelks, Andy Lucien





july 6 & 7 at 7:15pm   •

VIRTUAL REALITY


Virtual Reality or VR brings people and objects to life by creating realistic 3D computer-generated simulations. Using cutting edge VR headsets, you’re able to interact with the person or object as if they were standing right there even though you may be on the other side of the world.See how VR transforming The Healthcare Industry See how VR transforming The Healthcare Industry




INTERNET OF THINGS


IoT is a fascinating technology that allows computers, machines and digital devices to share data across a network without any human interaction. IoT devices or sensors can be fitted to almost any device in order to monitor, track and enhance its capability. See how IoT is helping us to combat the global COVID-19 pandemic.




ARTIFICIAL INTELLIGENCE


Artificial Intelligence is thrown around a lot but at its core, AI involves computer systems learning information in a similar way that humans do. Through big data, AI is able to learn from experiences and process information in order to perform tasks. Applying AI to Agriculture, see how It’s changing the way we farm.




AUGMENTED REALITY


Augmented Reality enhances the real world by combining layers of digital information to create an interactive experience. Unlike VR which creates a virtual world, AR enhances your existing environment by adding digital info such as images, translations and graphs to your surroundings. Learn more about how AR is changing the future of mining.




ROBOTIC PROCESS AUTOMATION


RPA is cutting edge technology that allows computer systems to carry out repetitive tasks which are often time-consuming and resource-intensive. Through RPA these tasks can be efficiently carried out with almost zero errors, significantly reducing time and resources spent on mundane tasks. See how RPA is changing the way we operate in Manufacturing.




3D PRINTING


3D printing uses computer-aided designs to replicate 3-dimensional objects. Printing each object layer by layer, this additive manufacturing method is usually able to produce items at a fraction of the cost. See how Kenya is using 3D printing to fill the gap in PPE.





july 11 & 12  at 8:15pm   •

about the new play


A writer and a prison inmate embark on an unexpected journey to the realities of long term incarceration and grief, as they work together to craft a statement for his upcoming parole hearing. Lockdown was commissioned by Rattlestick Playwrights Theater through the Toulmin Foundation, and inspired by Cori Thomas’ experiences getting to know and working alongside a number of men currently serving life sentences at San Quentin State Prison.




about the writer


Cori Thomas’ plays include: Lockdown; When January Feels Like Summer; LIBERIAN LEGACY TRILOGY: Pa’s Hat, Flight 109, In The Beginning; Citizens Market; The Ballad of Ella May; My Secret Language of Wishes; The Princess, The Breast, and The Lizard; The Unusual Love Life of Bedbugs and Other Creatures; The Hair Play; Waking Up; His Daddy; our lives, our fortunes, and our sacred honor. Developed and produced: Sundance Institute, City Theatre Company (Pittsburgh), Goodman Theater, Page 73 Productions, Playwrights Horizons, Lark Play Development Center, Ensemble Studio Theatre, GTTR, Pillsbury House Theatre, Mixed Blood Theatre, Mosaic Theatre Co, Central Square Theatre, Penumbra Theatre, Passage Theatre, Working Theater, Playwrights Realm, New Federal Theatre, New Georges, New Black Fest. Commissions: Rattlestick Playwright’s Theatre, South Coast Rep, Sloan Foundation, Pillsbury House Theatre, Central Square Theatre, Ensemble Studio Theatre, New Black Fest, The Slavery Project, The Working Theater. New Dramatists Resident, Fellow at Sundance, MacDowell, Bogliasco Foundation, and Baryshnikov Center Fellow. Playwrigh-in-Residence at Yale through Page 73 Productions. Awards and Honors: Inaugural Italian American Playwrights Project pick ( When January feels Like Summer) will be translated into Italian and published. American Theater Critics Association 2011 Osborn Award— When January Feels Like Summer; Edgerton Foundation New Play Award; 2016 Horton Foote Playwriting Prize Finalist; 2 time Theodore Ward Prize Winner. When January Feels Like Summer—Dramatic Publishing Company. Upcoming: World Premiere 2019 Lockdown at Rattlestick Playwrights Theater Co; Writer - Audible Original Content Series “The Walls”; “untitled” feature Film for HBO Films. Cori is a founder of the non-profit organization www.pashatfoundation.org which does work with former male child soldiers in Liberia, West Africa. She is represented by Leah Hamos at The Gersh Agency lhamos@gersh.com.




cast & creative team


Director: Kent Gash Dramaturg: Ignacia Delgado Scenic Design: Lawrence Moten Lighting Design: Raquel Davis Cast: John Earl Jelks, Andy Lucien





july 13 & 14  at 7:15pm   •

about the new play


Ruth, a young woman from a mysterious and sheltered background, attempts to create a new life in New York. Navigating the strange, bewildering environment, she struggles to make her way in the city and to answer the question that drove her out into the world in the first place: is it possible to be alive and not be alone?




about the writer


Enid Graham is a writer and actress living in New York City. Her work includes—plays: Ruth, What Martha Did, and For I Know the Plans I Have For You; screenplay: Texas; short stories: “Galveston”, “Blind Spot”, and “Go Fish”. What Martha Did was a finalist for the 2015 National Playwrights Conference and a semi-finalist in the American Blues festival in Chicago. Ruth was seen at the Sacred Monsters Summer Reading Series in Los Angeles and the 2017 newTACTics new play festival in NYC. She is a founding member of the 72nd Street Gang, a playwrights’ collective. As an actress, Ms. Graham has numerous Broadway and off-Broadway credits including The Curious Incident of the Dog in the Nighttime (original Broadway company), Bull in a China Shop (LCT3), King Lear (Public Theatre), Honour (Tony Award nomination), and the 2017 revival of M. Butterfly at the Cort Theatre. Her television and film credits include The Sinner, Boardwalk Empire, Grey’s Anatomy, Margaret, and Margot at the Wedding among others. Enid is a graduate of The Juilliard School.




cast & creative team


Director: Mark Brokaw Dramaturg: Catherine Sheehy Scenic Design: Lawrence Moten Lighting Design: Christian DeAngelis Cast: Lisa Emery, Ben Horner, Louisa Krause, Hallie Samuels, Matt Stadelmann





july 18 & 19  at 8:15pm   •

about the new play


On the island of Man-Jae in Korea, three elderly women spend their dying days diving into the ocean to harvest seafood with nothing but rusty knives. They are “haenyeos”—“sea women”—and there are no heiresses to their millennium-old tradition. Endlings is a real estate lesson from the last three remaining “haenyeos” in the world: Don’t Live On An Island. Unless it is the island of Manhattan.




about the writer


Celine Song is a member of the Public Theater’s 2016-2017 Emerging Writers Group, a member of Ars Nova’s 2014-2015 Play Group, a member of the Orchard Project's inaugural NYC Greenhouse 2018, and a Playwrights Realm 2017-2018 Writing Fellow. Her play Endlings was a part of the 2017 Kilroys list and a semifinalist for P73 playwriting fellowship. Tom & Eliza was a semifinalist for the American Playwriting Foundation's 2016 Relentless Award. Celine has been awarded residencies, fellowships, and commissions from: MTC/Sloan, Sundance, the Millay Colony for the arts, the MacDowell Colony, Yaddo, and the Edward F. Albee Foundation. Celine was an IATI Theater 2015 Cimientos Playwright and a 2014 & 2016 Great Plains Theatre Conference Playlab Playwright. Her plays include The Feast (MAP Theater in Seattle, New Court Theatre in LA, Shelterbelt Theatre in Omaha, Red Theater Chicago), Family (Signature Theater, Potomac Theater), Tom & Eliza (Ars Nova, JACK, Theatre503), and Endlings (The Public, Echo Theater, OSF Black Swan Lab). She holds an MFA from Columbia.




cast & creative team


Director: Sammi Cannold Dramaturg: Ignacia Delgado Scenic Design: Carolyn Mraz Lighting Design: Brian Lilienthal Cast: Lori Tan Chinn, Jiehae Park, Matt da Silva, Andy Talen, Virginia Wing, Jo Yang, Ryan Rosenheim, John DeSilvestri, Robert Duffley





july 20 at 7:15pm & july 21 at 3:15pm   •

about the new play


On the island of Man-Jae in Korea, three elderly women spend their dying days diving into the ocean to harvest seafood with nothing but rusty knives. They are “haenyeos”—“sea women”—and there are no heiresses to their millennium-old tradition. Endlings is a real estate lesson from the last three remaining “haenyeos” in the world: Don’t Live On An Island. Unless it is the island of Manhattan.




about the writer


Celine Song is a member of the Public Theater’s 2016-2017 Emerging Writers Group, a member of Ars Nova’s 2014-2015 Play Group, a member of the Orchard Project's inaugural NYC Greenhouse 2018, and a Playwrights Realm 2017-2018 Writing Fellow. Her play Endlings was a part of the 2017 Kilroys list and a semifinalist for P73 playwriting fellowship. Tom & Eliza was a semifinalist for the American Playwriting Foundation's 2016 Relentless Award. Celine has been awarded residencies, fellowships, and commissions from: MTC/Sloan, Sundance, the Millay Colony for the arts, the MacDowell Colony, Yaddo, and the Edward F. Albee Foundation. Celine was an IATI Theater 2015 Cimientos Playwright and a 2014 & 2016 Great Plains Theatre Conference Playlab Playwright. Her plays include The Feast (MAP Theater in Seattle, New Court Theatre in LA, Shelterbelt Theatre in Omaha, Red Theater Chicago), Family (Signature Theater, Potomac Theater), Tom & Eliza (Ars Nova, JACK, Theatre503), and Endlings (The Public, Echo Theater, OSF Black Swan Lab). She holds an MFA from Columbia.




cast & creative team


Director: Sammi Cannold Dramaturg: Ignacia Delgado Scenic Design: Carolyn Mraz Lighting Design: Brian Lilienthal Cast: Lori Tan Chinn, Jiehae Park, Matt da Silva, Andy Talen, Virginia Wing, Jo Yang, Ryan Rosenheim, John DeSilvestri, Robert Duffley





july 25 & 26  at 8:15pm   •

about the new play


A writer and a prison inmate embark on an unexpected journey to the realities of long term incarceration and grief, as they work together to craft a statement for his upcoming parole hearing. Lockdown was commissioned by Rattlestick Playwrights Theater through the Toulmin Foundation, and inspired by Cori Thomas’ experiences getting to know and working alongside a number of men currently serving life sentences at San Quentin State Prison.




about the writer


Cori Thomas’ plays include: Lockdown; When January Feels Like Summer; LIBERIAN LEGACY TRILOGY: Pa’s Hat, Flight 109, In The Beginning; Citizens Market; The Ballad of Ella May; My Secret Language of Wishes; The Princess, The Breast, and The Lizard; The Unusual Love Life of Bedbugs and Other Creatures; The Hair Play; Waking Up; His Daddy; our lives, our fortunes, and our sacred honor. Developed and produced: Sundance Institute, City Theatre Company (Pittsburgh), Goodman Theater, Page 73 Productions, Playwrights Horizons, Lark Play Development Center, Ensemble Studio Theatre, GTTR, Pillsbury House Theatre, Mixed Blood Theatre, Mosaic Theatre Co, Central Square Theatre, Penumbra Theatre, Passage Theatre, Working Theater, Playwrights Realm, New Federal Theatre, New Georges, New Black Fest. Commissions: Rattlestick Playwright’s Theatre, South Coast Rep, Sloan Foundation, Pillsbury House Theatre, Central Square Theatre, Ensemble Studio Theatre, New Black Fest, The Slavery Project, The Working Theater. New Dramatists Resident, Fellow at Sundance, MacDowell, Bogliasco Foundation, and Baryshnikov Center Fellow. Playwrigh-in-Residence at Yale through Page 73 Productions. Awards and Honors: Inaugural Italian American Playwrights Project pick ( When January feels Like Summer) will be translated into Italian and published. American Theater Critics Association 2011 Osborn Award— When January Feels Like Summer; Edgerton Foundation New Play Award; 2016 Horton Foote Playwriting Prize Finalist; 2 time Theodore Ward Prize Winner. When January Feels Like Summer—Dramatic Publishing Company. Upcoming: World Premiere 2019 Lockdown at Rattlestick Playwrights Theater Co; Writer - Audible Original Content Series “The Walls”; “untitled” feature Film for HBO Films. Cori is a founder of the non-profit organization www.pashatfoundation.org which does work with former male child soldiers in Liberia, West Africa. She is represented by Leah Hamos at The Gersh Agency lhamos@gersh.com.




cast & creative team


Director: Kent Gash Dramaturg: Ignacia Delgado Scenic Design: Lawrence Moten Lighting Design: Raquel Davis Cast: John Earl Jelks, Andy Lucien





july 27 & 28  at 7:15pm   •

about the new play


As Monica Lewinsky rehearses for her TED Talk, her PTSD keeps getting in the way, sending her spinning, literally, into an alternate universe. Will Marvel-ous Monica rescue The Pretty Young Coed from the Lecherous Professor? Will she learn the secret of Nasty-Woman, the mighty matriarchal superhero? And finally, will Monica be able to give her talk by making peace with her traumatic past? Combining humor, fantasy, and verbatim theater, Marvel-ous Monica offers an overdue #MeToo look at the slut-shamed young woman at the center of a notorious political scandal.




about the writer


Sarah Tuft’s plays have been developed, read and/or produced at theaters in 19 states and abroad including Geffen Playhouse, The Public Theater, Vineyard Theatre, Toledo Repertoire Theatre, EST’s Lexington Center, IAMA Theatre Company directed by Thomas Sadoski, Monster Box Theatre, Naked Angels’ Tuesdays@9, Sundog Theatre, and 24Hour Plays at BAM with actors Billy Crudup, Ossie Davis, Ruby Dee, Edie Falco, James Gandolfini, Neil Patrick Harris, Samuel L. Jackson, Melissa Leo, Tony Shalhoub, and Kathleen Turner. Plays include Marvel-ous Monica; In Which Monica Lewinsky Is a Superhero Hell-Bent On Revenge (2018 Last Frontier Theatre Conference PlayLab, 2017 Austin Film Festival Playwriting Competition, 365 Women a Year); 110 Stories; Awesome Big Somebody; Patti Smith, P.I.; and Shoot Me. 110 Stories is published by Playscripts. Awards include 2018 HUMANITAS Play LA Workshop finalist and a New York Foundation for the Arts fellowship. Sarah has blogged for HuffPost, Indiewire Women and Hollywood, and The New York Times. A member of the Dramatists Guild and Antaeus Playwrights Lab, Sarah teaches dramatic writing at SF Creative Writing Institute.




cast & creative team


Director: Giovanni Sardelli Dramaturg: Tanya Palmer Scenic Designer: Carolyn Mraz Lighting Designer: Christian DeAngelis Cast: Betsy Aidem, David Wilson Barnes, Catherine Curtin, Angel Desai, Scott Drummond, Jenny Mudge, Remy Zaken





about the new play


On the island of Man-Jae in Korea, three elderly women spend their dying days diving into the ocean to harvest seafood with nothing but rusty knives. They are “haenyeos”—“sea women”—and there are no heiresses to their millennium-old tradition. Endlings is a real estate lesson from the last three remaining “haenyeos” in the world: Don’t Live On An Island. Unless it is the island of Manhattan.




about the writer


Celine Song is a member of the Public Theater’s 2016-2017 Emerging Writers Group, a member of Ars Nova’s 2014-2015 Play Group, a member of the Orchard Project's inaugural NYC Greenhouse 2018, and a Playwrights Realm 2017-2018 Writing Fellow. Her play Endlings was a part of the 2017 Kilroys list and a semifinalist for P73 playwriting fellowship. Tom & Eliza was a semifinalist for the American Playwriting Foundation's 2016 Relentless Award. Celine has been awarded residencies, fellowships, and commissions from: MTC/Sloan, Sundance, the Millay Colony for the arts, the MacDowell Colony, Yaddo, and the Edward F. Albee Foundation. Celine was an IATI Theater 2015 Cimientos Playwright and a 2014 & 2016 Great Plains Theatre Conference Playlab Playwright. Her plays include The Feast (MAP Theater in Seattle, New Court Theatre in LA, Shelterbelt Theatre in Omaha, Red Theater Chicago), Family (Signature Theater, Potomac Theater), Tom & Eliza (Ars Nova, JACK, Theatre503), and Endlings (The Public, Echo Theater, OSF Black Swan Lab). She holds an MFA from Columbia.




cast & creative team


Director: Sammi Cannold Dramaturg: Ignacia Delgado Scenic Design: Carolyn Mraz Lighting Design: Brian Lilienthal Cast: Lori Tan Chinn, Jiehae Park, Matt da Silva, Andy Talen, Virginia Wing, Jo Yang, Ryan Rosenheim, John DeSilvestri, Robert Duffley





 

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Eugene O'Neill Theater Center

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